caleb4l Asked
QuestionQuit posting absolute bullshit and get over the fact that a fucking criminal was put to rest that day. If he would have never stole from the store, he most likely wouldn't have had contact with police that day. If he would have never assaulted the officer and reached for his gun, he wouldn't have took a bullet to the skull. #justicehasbeenserved Answer

corporationsarepeople:

raind0wn:

cognitivedissonance:

Even if he stole Rellos, would he get the death penalty? No.

Even if he stole an officer’s gun, would he get the death penalty? No.

Even if he punched a cop, would he get the death penalty? No.

Never mind the end of that video shows Mike Brown paying for his Rellos.

Never mind the store owner said there was no robbery and that no one working for him reported it.

Never mind the police chief said Darren Wilson did not know Mike Brown was a “suspect” in a robbery — he was stopped for walking in the street versus on the sidewalk.

Never mind the autopsy report that says he was shot from nearly 35ft away.

Never mind that report shows wounds consistent with him being shot with his hands in the air.

Ultimately, you have one White cop who gunned down yet another unarmed Black man, a police force that has not been at all forthcoming with any answers, and a Black community tired of their children being murdered for shit as simple as walking down the street. That same police force (accompanied by National Guard and Missouri Highway Patrol) has used violence to try to quell peaceful protest.

When looting broke out, the people in that community banded together to PROTECT local businesses from the looters who looked a fuckton like your shitstain self.

Here’s a newsflash, cockwagon: If you stole Rellos, your ass might spend a few hours in a holding cell. You might stay overnight. But you’re never gonna be thought of as a suspect right off the bat by a cop when you’re just walking down the street with a pal. You’re never gonna have to worry if your hoodie makes you suspect. You’re never gonna have to wonder if a traffic stop is going to end in your murder.

And if you go all mass shooter on us, which White boys like yourself are wont to do, rest assured your legacy will be burnished with sympathetic interviews bemoaning how such a good boy went wrong. The media will not pour through your social media profiles looking for the most “thug” picture of you mean mugging for the camera. In fact, if you have a gun selfie on your Facebook, you’re just standing up for your Second Amendment rights. Of course you’re not a thug like THOSE people, amirite?

Also, you’ll be a hell of a lot more likely to be taken alive after committing mass murder than a young Black man who was simply suspect for walking down the street, or holding his wallet, or who fit the description — that catchall justification beloved by policemen everywhere. Or even a young Black woman seeking help after a car crash. If you pound on a stranger’s door, you’re getting a ambulance instead of a bullet in the face.

Take your impotent Wonderbread™ White supremacist opinions elsewhere, son, because I am fresh out of fucks to give and won’t be restocking any time soon.

P.S. Your wrong as fuck hashtag up there means as much as your opinions. I think you forgot how to internet.

BOOM. 

Take note of everyone who spouts this shit. And not just this asshole.

They look at their fellow citizens and see vermin that must be killed. This is the basis of fascism. This is a failure of humanity.

prolongedeyecontact:

bebinn:

deathbysharpie:

What will happen:

sex

What won’t happen:

safe sex

What will happen:

abortion

What won’t happen:

safe abortions

Can’t put it much more simply than that.

#TRUTH

indecentinkling2:

I kinda felt i needed to do this after reading the tags and comments on my art.
teehee

PRIMITIVES indecentinkling2:

I kinda felt i needed to do this after reading the tags and comments on my art.
teehee

PRIMITIVES indecentinkling2:

I kinda felt i needed to do this after reading the tags and comments on my art.
teehee

PRIMITIVES indecentinkling2:

I kinda felt i needed to do this after reading the tags and comments on my art.
teehee

PRIMITIVES indecentinkling2:

I kinda felt i needed to do this after reading the tags and comments on my art.
teehee

PRIMITIVES

indecentinkling2:

I kinda felt i needed to do this after reading the tags and comments on my art.

teehee

PRIMITIVES

truthdogg:

justinspoliticalcorner:

Also, no ambulance was called for Wilson, and no first aid was administered by other officers, which seems odd if he had indeed suffered this type of serious injury — or any injury at all.

And there’s more evidence that Hoft is trying to pull a fast one again; here is the original image posted at the AAPOS site, showing a CT scan of a blowout fracture (on the left), compared to the image posted at Gateway Pundit by Hoft (on the right):

Original example CT scan (L), compared to altered image posted by Jim Hoft (R)

Notice the difference? In the version posted by Jim Hoft, the text at bottom right that says “UNIV OF IOWA” has been crudely erased. Caught you, Jim.

Was Hoft trying to mislead his readers into thinking this was the actual X-ray (or CT scan) of Darren Wilson? His text does not make it clear it wasn’t Wilson’s CT scan — and the words “UNIV OF IOWA” have been blacked out, quite deliberately.

If Hoft’s intent was to mislead, it worked. All over Twitter and right wing blogs, the wingnuts are raving about “Darren Wilson’s X-ray” that shows a fractured eye socket — but this is just a generic example image of an unknown person’s CT scan.

Time will tell if Wilson is going to claim he had this type of injury, but nobody should take Jim Hoft’s word for it.

And one more point while I’m at it; Hoft writes:

This comes from a source within the Prosecuting Attorney’s office and confirmed by the St. Louis County Police.

If that’s true, it’s highly disturbing that the St. Louis prosecutor’s office and the St. Louis County police department are leaking information to a far right hateblogger known for his unrelenting dishonesty, who uses a white supremacist hate group as a source.

Jim Hoft caught lying as usual. 

h/t: Charles Johnson at Little Green Balls

Worth pointing out one more time that this isn’t a misunderstanding on Hoft’s part. It’s not a misreading or differing interpretation of the data. It’s an outright fabrication that is knowingly false. It’s a story based around a photoshop of something else entirely.

So of course it’s being used in stories now on FOX News, as “reports say…”

corporationsarepeople:

iammyfather:

pathsforgotten:

By the way we’ll be confiscating all these medical supplies you paid for to help your community that’s being invaded by domestic terrorists that you were storing and distributing from a place of worship that’s protected by the constitution, also known as that old piece of paper I wipe my ass with before I donate it to your school children as parchment.

Now now, be nice, they just dropped by and gave a friendly reminder to the Pastor pertaining to occupancy rules etc.  Nothing except being neighborly Ya Know.

This may be the most on-point comic I’ve seen yet.

You have the right to remain silent. Anything you say can and will be used as an excuse for assaulting you.

(Source: questionall)

corporationsarepeople:

atane:

That picture of a young Black man holding a gun that clearly isn’t Mike Brown, yet was spread around social media and websites by anti-Black racists saying it was Mike Brown was posted by a cop. Imagine that. A cop did this.

They did this to Trayvon Martin as well btw. Character assassination is their game.

Not ALL cops…

crypticnymph:

the pacific rim au of legally blonde though:

elle woods trying to get into jaeger academy to win back warner.

"you got into jaeger academy?" "what, like it’s hard?"

elle woods being drift compatible with vivian.

elle falling for LOCCENT officer emmett.

elle and vivian piloting a jaeger called delta nu.

THE BEND AND SNAP AS A FIGHTING TECHNIQUE 

Pacific Rim AU goes with everything.

anatomicalart:

briannacherrygarcia:

itscourtoon:

bathsabbath:

thorhugs:

compactcarl:

egriz:



im not even an artist and these prices are hurting my feelings 

This is what I have to dig through every time I look for new jobs to apply for.
For non-artists, let’s give you a little perspective.
For me, an illustration takes a bare minimum of 6 hours. Mind you, that’s JUST the drawing part. Not the research, or the communications, or gathering information. Just drawing.
That’s if it’s a simple illustration.
My art deco or more detailed stuff can take 20+ hours each.
Even simple, cartoony things still take at least 3 hours.
Let’s go with the second one. 2 illustrations for $25. Figuring 6 hours each. 12 hours total, for JUST the drawings. That’s approximately $2.08/hour. 
Asking these prices is an insult. But what’s even more hurtful is there are people out there that will take these jobs. Which only encourages rates like this to be acceptable. And there are people who will try to say these are just what you have to do to get started.
I believed that. So my first coloring gigs were just $10/page. The day someone offered me $25/page for just flatting work, I realized just how wrong I’d been. I’m still not making the rates I’d like, but now I refuse anything below $25/page. Because there is value in my time.
In any standardized industry, even ones that pay piece rate over hourly, these numbers are criminal.
Do your fellow artists a favor. Never accept jobs like these. There are others that pay legitimate rates. Or at least closer to legitimate.

Such baby bullshit. Don’t even get out of bed for these rates.
    If you are an artist who wants to make money off their art, I highly suggest you buy The Graphic Artist’s Guild Handbook. It goes in depth about copyright issues and even contains contract and model release templates. The 2013 book *I believe* states the average professional charges $72 an hour. This article calculated that to make a 40k annual salary you would need to charge about $60 per hour. 
  After graduating from Art Center in 2012, I think I asked for somewhere between $35-45 an hour and got laughed at by multiple big name clients, which was infuriating, sadly expected, and terrifying with over $100K worth of student loans staring me in the face. If they tell you it will be “great exposure” that’s a red flag. Ask yourself how their exposure can compare to your Tumblr, Twitter, Instagram, Pinterest, Flickr and Facebook pages combined?  
And when you do get a decent paying gig, PROTECT YOURSELF. You have the right to negotiate and revise a contract. Do not start a job until you have a contract signed. If they don’t provide you with one, MAKE ONE. And make sure you have your bases covered. You can specify in a contract that maybe two revisions are included in your cost, and if they ask you to revise the piece more than twice, they will have to pay extra. In terms of payment schedule, I usually do the 50/50 Method (50% before, 50% after) or the 3/3/3 Method (1/3 before, 1/3 in the middle, 1/3 after all work has been received). Both of those are pretty standard in the industry, as they guarantee you will get compensated for your time, even if the job goes bad. 
Remember you have a skill, and you have spent time honing that skill and you deserve to be adequately paid for that time and effort. You will have clients dismiss you because, honest to God they think, “Well, I could do that if I wanted. Hell, my five year old does it now.” No they can’t, because they didn’t, they don’t, they won’t and they probably never will. And good luck hiring a five year old. They can’t keep a fucking deadline.
And in a last ditch effort they’ll say, “But that drawing only took you an hour!” Son, that drawing took me 20. fucking. years.

10 Dollars for 1 minute of animation.  Oh my god my heart.  It took my team 6 months and a team of 12 to make a 4 minute short. 

The Graphic Artist’s Guild Handbook

I second this book! I’ve had it for several years now, and it’s been a HUGE help in my work as a freelance artist. It gives great advice on what to charge for different areas of art!

Please remember. Your art is worth a respectable payment! Accepting ridiculously low prices actually hurts the arts/illustration/animation communities because it makes employers believe they can employ people without offering decent pay.
Check the internet if you need help figuring out what you should be charging for your commissions. Invest in the books that will inform you professionally, and put your foot down if you think someone is trying to cheat you out of your time and hard work.You have a right to refuse a job, and/or request decent payment. If your employer denies a you decent pay, well then they’re probably not a very good employer.Do not undersell your skills. it is bad for the art community and you are worth more then that.
anatomicalart:

briannacherrygarcia:

itscourtoon:

bathsabbath:

thorhugs:

compactcarl:

egriz:



im not even an artist and these prices are hurting my feelings 

This is what I have to dig through every time I look for new jobs to apply for.
For non-artists, let’s give you a little perspective.
For me, an illustration takes a bare minimum of 6 hours. Mind you, that’s JUST the drawing part. Not the research, or the communications, or gathering information. Just drawing.
That’s if it’s a simple illustration.
My art deco or more detailed stuff can take 20+ hours each.
Even simple, cartoony things still take at least 3 hours.
Let’s go with the second one. 2 illustrations for $25. Figuring 6 hours each. 12 hours total, for JUST the drawings. That’s approximately $2.08/hour. 
Asking these prices is an insult. But what’s even more hurtful is there are people out there that will take these jobs. Which only encourages rates like this to be acceptable. And there are people who will try to say these are just what you have to do to get started.
I believed that. So my first coloring gigs were just $10/page. The day someone offered me $25/page for just flatting work, I realized just how wrong I’d been. I’m still not making the rates I’d like, but now I refuse anything below $25/page. Because there is value in my time.
In any standardized industry, even ones that pay piece rate over hourly, these numbers are criminal.
Do your fellow artists a favor. Never accept jobs like these. There are others that pay legitimate rates. Or at least closer to legitimate.

Such baby bullshit. Don’t even get out of bed for these rates.
    If you are an artist who wants to make money off their art, I highly suggest you buy The Graphic Artist’s Guild Handbook. It goes in depth about copyright issues and even contains contract and model release templates. The 2013 book *I believe* states the average professional charges $72 an hour. This article calculated that to make a 40k annual salary you would need to charge about $60 per hour. 
  After graduating from Art Center in 2012, I think I asked for somewhere between $35-45 an hour and got laughed at by multiple big name clients, which was infuriating, sadly expected, and terrifying with over $100K worth of student loans staring me in the face. If they tell you it will be “great exposure” that’s a red flag. Ask yourself how their exposure can compare to your Tumblr, Twitter, Instagram, Pinterest, Flickr and Facebook pages combined?  
And when you do get a decent paying gig, PROTECT YOURSELF. You have the right to negotiate and revise a contract. Do not start a job until you have a contract signed. If they don’t provide you with one, MAKE ONE. And make sure you have your bases covered. You can specify in a contract that maybe two revisions are included in your cost, and if they ask you to revise the piece more than twice, they will have to pay extra. In terms of payment schedule, I usually do the 50/50 Method (50% before, 50% after) or the 3/3/3 Method (1/3 before, 1/3 in the middle, 1/3 after all work has been received). Both of those are pretty standard in the industry, as they guarantee you will get compensated for your time, even if the job goes bad. 
Remember you have a skill, and you have spent time honing that skill and you deserve to be adequately paid for that time and effort. You will have clients dismiss you because, honest to God they think, “Well, I could do that if I wanted. Hell, my five year old does it now.” No they can’t, because they didn’t, they don’t, they won’t and they probably never will. And good luck hiring a five year old. They can’t keep a fucking deadline.
And in a last ditch effort they’ll say, “But that drawing only took you an hour!” Son, that drawing took me 20. fucking. years.

10 Dollars for 1 minute of animation.  Oh my god my heart.  It took my team 6 months and a team of 12 to make a 4 minute short. 

The Graphic Artist’s Guild Handbook

I second this book! I’ve had it for several years now, and it’s been a HUGE help in my work as a freelance artist. It gives great advice on what to charge for different areas of art!

Please remember. Your art is worth a respectable payment! Accepting ridiculously low prices actually hurts the arts/illustration/animation communities because it makes employers believe they can employ people without offering decent pay.
Check the internet if you need help figuring out what you should be charging for your commissions. Invest in the books that will inform you professionally, and put your foot down if you think someone is trying to cheat you out of your time and hard work.You have a right to refuse a job, and/or request decent payment. If your employer denies a you decent pay, well then they’re probably not a very good employer.Do not undersell your skills. it is bad for the art community and you are worth more then that.
anatomicalart:

briannacherrygarcia:

itscourtoon:

bathsabbath:

thorhugs:

compactcarl:

egriz:



im not even an artist and these prices are hurting my feelings 

This is what I have to dig through every time I look for new jobs to apply for.
For non-artists, let’s give you a little perspective.
For me, an illustration takes a bare minimum of 6 hours. Mind you, that’s JUST the drawing part. Not the research, or the communications, or gathering information. Just drawing.
That’s if it’s a simple illustration.
My art deco or more detailed stuff can take 20+ hours each.
Even simple, cartoony things still take at least 3 hours.
Let’s go with the second one. 2 illustrations for $25. Figuring 6 hours each. 12 hours total, for JUST the drawings. That’s approximately $2.08/hour. 
Asking these prices is an insult. But what’s even more hurtful is there are people out there that will take these jobs. Which only encourages rates like this to be acceptable. And there are people who will try to say these are just what you have to do to get started.
I believed that. So my first coloring gigs were just $10/page. The day someone offered me $25/page for just flatting work, I realized just how wrong I’d been. I’m still not making the rates I’d like, but now I refuse anything below $25/page. Because there is value in my time.
In any standardized industry, even ones that pay piece rate over hourly, these numbers are criminal.
Do your fellow artists a favor. Never accept jobs like these. There are others that pay legitimate rates. Or at least closer to legitimate.

Such baby bullshit. Don’t even get out of bed for these rates.
    If you are an artist who wants to make money off their art, I highly suggest you buy The Graphic Artist’s Guild Handbook. It goes in depth about copyright issues and even contains contract and model release templates. The 2013 book *I believe* states the average professional charges $72 an hour. This article calculated that to make a 40k annual salary you would need to charge about $60 per hour. 
  After graduating from Art Center in 2012, I think I asked for somewhere between $35-45 an hour and got laughed at by multiple big name clients, which was infuriating, sadly expected, and terrifying with over $100K worth of student loans staring me in the face. If they tell you it will be “great exposure” that’s a red flag. Ask yourself how their exposure can compare to your Tumblr, Twitter, Instagram, Pinterest, Flickr and Facebook pages combined?  
And when you do get a decent paying gig, PROTECT YOURSELF. You have the right to negotiate and revise a contract. Do not start a job until you have a contract signed. If they don’t provide you with one, MAKE ONE. And make sure you have your bases covered. You can specify in a contract that maybe two revisions are included in your cost, and if they ask you to revise the piece more than twice, they will have to pay extra. In terms of payment schedule, I usually do the 50/50 Method (50% before, 50% after) or the 3/3/3 Method (1/3 before, 1/3 in the middle, 1/3 after all work has been received). Both of those are pretty standard in the industry, as they guarantee you will get compensated for your time, even if the job goes bad. 
Remember you have a skill, and you have spent time honing that skill and you deserve to be adequately paid for that time and effort. You will have clients dismiss you because, honest to God they think, “Well, I could do that if I wanted. Hell, my five year old does it now.” No they can’t, because they didn’t, they don’t, they won’t and they probably never will. And good luck hiring a five year old. They can’t keep a fucking deadline.
And in a last ditch effort they’ll say, “But that drawing only took you an hour!” Son, that drawing took me 20. fucking. years.

10 Dollars for 1 minute of animation.  Oh my god my heart.  It took my team 6 months and a team of 12 to make a 4 minute short. 

The Graphic Artist’s Guild Handbook

I second this book! I’ve had it for several years now, and it’s been a HUGE help in my work as a freelance artist. It gives great advice on what to charge for different areas of art!

Please remember. Your art is worth a respectable payment! Accepting ridiculously low prices actually hurts the arts/illustration/animation communities because it makes employers believe they can employ people without offering decent pay.
Check the internet if you need help figuring out what you should be charging for your commissions. Invest in the books that will inform you professionally, and put your foot down if you think someone is trying to cheat you out of your time and hard work.You have a right to refuse a job, and/or request decent payment. If your employer denies a you decent pay, well then they’re probably not a very good employer.Do not undersell your skills. it is bad for the art community and you are worth more then that.
anatomicalart:

briannacherrygarcia:

itscourtoon:

bathsabbath:

thorhugs:

compactcarl:

egriz:



im not even an artist and these prices are hurting my feelings 

This is what I have to dig through every time I look for new jobs to apply for.
For non-artists, let’s give you a little perspective.
For me, an illustration takes a bare minimum of 6 hours. Mind you, that’s JUST the drawing part. Not the research, or the communications, or gathering information. Just drawing.
That’s if it’s a simple illustration.
My art deco or more detailed stuff can take 20+ hours each.
Even simple, cartoony things still take at least 3 hours.
Let’s go with the second one. 2 illustrations for $25. Figuring 6 hours each. 12 hours total, for JUST the drawings. That’s approximately $2.08/hour. 
Asking these prices is an insult. But what’s even more hurtful is there are people out there that will take these jobs. Which only encourages rates like this to be acceptable. And there are people who will try to say these are just what you have to do to get started.
I believed that. So my first coloring gigs were just $10/page. The day someone offered me $25/page for just flatting work, I realized just how wrong I’d been. I’m still not making the rates I’d like, but now I refuse anything below $25/page. Because there is value in my time.
In any standardized industry, even ones that pay piece rate over hourly, these numbers are criminal.
Do your fellow artists a favor. Never accept jobs like these. There are others that pay legitimate rates. Or at least closer to legitimate.

Such baby bullshit. Don’t even get out of bed for these rates.
    If you are an artist who wants to make money off their art, I highly suggest you buy The Graphic Artist’s Guild Handbook. It goes in depth about copyright issues and even contains contract and model release templates. The 2013 book *I believe* states the average professional charges $72 an hour. This article calculated that to make a 40k annual salary you would need to charge about $60 per hour. 
  After graduating from Art Center in 2012, I think I asked for somewhere between $35-45 an hour and got laughed at by multiple big name clients, which was infuriating, sadly expected, and terrifying with over $100K worth of student loans staring me in the face. If they tell you it will be “great exposure” that’s a red flag. Ask yourself how their exposure can compare to your Tumblr, Twitter, Instagram, Pinterest, Flickr and Facebook pages combined?  
And when you do get a decent paying gig, PROTECT YOURSELF. You have the right to negotiate and revise a contract. Do not start a job until you have a contract signed. If they don’t provide you with one, MAKE ONE. And make sure you have your bases covered. You can specify in a contract that maybe two revisions are included in your cost, and if they ask you to revise the piece more than twice, they will have to pay extra. In terms of payment schedule, I usually do the 50/50 Method (50% before, 50% after) or the 3/3/3 Method (1/3 before, 1/3 in the middle, 1/3 after all work has been received). Both of those are pretty standard in the industry, as they guarantee you will get compensated for your time, even if the job goes bad. 
Remember you have a skill, and you have spent time honing that skill and you deserve to be adequately paid for that time and effort. You will have clients dismiss you because, honest to God they think, “Well, I could do that if I wanted. Hell, my five year old does it now.” No they can’t, because they didn’t, they don’t, they won’t and they probably never will. And good luck hiring a five year old. They can’t keep a fucking deadline.
And in a last ditch effort they’ll say, “But that drawing only took you an hour!” Son, that drawing took me 20. fucking. years.

10 Dollars for 1 minute of animation.  Oh my god my heart.  It took my team 6 months and a team of 12 to make a 4 minute short. 

The Graphic Artist’s Guild Handbook

I second this book! I’ve had it for several years now, and it’s been a HUGE help in my work as a freelance artist. It gives great advice on what to charge for different areas of art!

Please remember. Your art is worth a respectable payment! Accepting ridiculously low prices actually hurts the arts/illustration/animation communities because it makes employers believe they can employ people without offering decent pay.
Check the internet if you need help figuring out what you should be charging for your commissions. Invest in the books that will inform you professionally, and put your foot down if you think someone is trying to cheat you out of your time and hard work.You have a right to refuse a job, and/or request decent payment. If your employer denies a you decent pay, well then they’re probably not a very good employer.Do not undersell your skills. it is bad for the art community and you are worth more then that.

anatomicalart:

briannacherrygarcia:

itscourtoon:

bathsabbath:

thorhugs:

compactcarl:

egriz:

im not even an artist and these prices are hurting my feelings 

This is what I have to dig through every time I look for new jobs to apply for.

For non-artists, let’s give you a little perspective.

For me, an illustration takes a bare minimum of 6 hours. Mind you, that’s JUST the drawing part. Not the research, or the communications, or gathering information. Just drawing.

That’s if it’s a simple illustration.

My art deco or more detailed stuff can take 20+ hours each.

Even simple, cartoony things still take at least 3 hours.

Let’s go with the second one. 2 illustrations for $25. Figuring 6 hours each. 12 hours total, for JUST the drawings. That’s approximately $2.08/hour. 

Asking these prices is an insult. But what’s even more hurtful is there are people out there that will take these jobs. Which only encourages rates like this to be acceptable. And there are people who will try to say these are just what you have to do to get started.

I believed that. So my first coloring gigs were just $10/page. The day someone offered me $25/page for just flatting work, I realized just how wrong I’d been. I’m still not making the rates I’d like, but now I refuse anything below $25/page. Because there is value in my time.

In any standardized industry, even ones that pay piece rate over hourly, these numbers are criminal.

Do your fellow artists a favor. Never accept jobs like these. There are others that pay legitimate rates. Or at least closer to legitimate.

Such baby bullshit. Don’t even get out of bed for these rates.

    If you are an artist who wants to make money off their art, I highly suggest you buy The Graphic Artist’s Guild Handbook. It goes in depth about copyright issues and even contains contract and model release templates. The 2013 book *I believe* states the average professional charges $72 an hour. This article calculated that to make a 40k annual salary you would need to charge about $60 per hour.

  After graduating from Art Center in 2012, I think I asked for somewhere between $35-45 an hour and got laughed at by multiple big name clients, which was infuriating, sadly expected, and terrifying with over $100K worth of student loans staring me in the face. If they tell you it will be “great exposure” that’s a red flag. Ask yourself how their exposure can compare to your Tumblr, Twitter, Instagram, Pinterest, Flickr and Facebook pages combined? 

And when you do get a decent paying gig, PROTECT YOURSELF. You have the right to negotiate and revise a contract. Do not start a job until you have a contract signed. If they don’t provide you with one, MAKE ONE. And make sure you have your bases covered. You can specify in a contract that maybe two revisions are included in your cost, and if they ask you to revise the piece more than twice, they will have to pay extra. In terms of payment schedule, I usually do the 50/50 Method (50% before, 50% after) or the 3/3/3 Method (1/3 before, 1/3 in the middle, 1/3 after all work has been received). Both of those are pretty standard in the industry, as they guarantee you will get compensated for your time, even if the job goes bad.

Remember you have a skill, and you have spent time honing that skill and you deserve to be adequately paid for that time and effort. You will have clients dismiss you because, honest to God they think, “Well, I could do that if I wanted. Hell, my five year old does it now.” No they can’t, because they didn’t, they don’t, they won’t and they probably never will. And good luck hiring a five year old. They can’t keep a fucking deadline.

And in a last ditch effort they’ll say, “But that drawing only took you an hour!” Son, that drawing took me 20. fucking. years.

10 Dollars for 1 minute of animation.  Oh my god my heart.  It took my team 6 months and a team of 12 to make a 4 minute short. 

The Graphic Artist’s Guild Handbook

I second this book! I’ve had it for several years now, and it’s been a HUGE help in my work as a freelance artist. It gives great advice on what to charge for different areas of art!

Please remember. Your art is worth a respectable payment! Accepting ridiculously low prices actually hurts the arts/illustration/animation communities because it makes employers believe they can employ people without offering decent pay.


Check the internet if you need help figuring out what you should be charging for your commissions. Invest in the books that will inform you professionally, and put your foot down if you think someone is trying to cheat you out of your time and hard work.
You have a right to refuse a job, and/or request decent payment. If your employer denies a you decent pay, well then they’re probably not a very good employer.
Do not undersell your skills. it is bad for the art community and you are worth more then that.

wickedseraph:

caramelblackness:

visionarywateringhole:

thaxted:

nerdfaceangst:

theafrocentricasian:

World’s languages traced back to single African mother tongue: scientists.

New Zealand researchers have traced every human language — from English to Mandarin — back to an ancestral language spoken in Africa 50,000 to 70,000 years ago.

Scientists say they have traced the world’s 6,000 modern languages — from English to Mandarin — back to a single “mother tongue,” an ancestral language spoken in Africa 50,000 to 70,000 years ago.

New research, published in the journal Science, suggests this single ancient language resulted in human civilization — a Diaspora — as well as advances in art and hunting tool technology, and laid the groundwork for all the world’s cultures.

The research, by Quentin Atkinson from the University of Auckland in New Zealand, also found that speech evolved far earlier than previously thought. And the findings implied, though did not prove, that modern language originated only once, an issue of controversy among linguists, according to the New York Times.

Before Atkinson came up with the evidence for a single African origin of language, some scientists had argued that language evolved independently in different parts of the world.

Atkinson found that the first populations migrating from Africa laid the groundwork for all the world’s cultures by taking their single language with them. “It was the catalyst that spurred the human expansion that we all are a product of,” Atkinson said, the Wall Street Journal reported.

Atkinson traced the number distinct sounds, or phonemes — consonants, vowels and tones — in 504 world languages, finding compelling evidence that they can be traced back to a long-forgotten dialect spoken by our Stone Age ancestors, according to the Daily Mail.

Atkinson also hypothesized that languages with the most sounds would be the oldest, while those spoken by smaller breakaway groups would utilize fewer sounds as variation and complexity diminished.

The study found that some of the click-using languages of Africa have more than 100 phonemes, or sounds, whereas Hawaiian, toward the far end of the human migration route out of Africa, has only 13, the Times reported. English has about 45 phonemes.

The phoneme pattern mirrors the pattern of human genetic diversity as humans spread across the globe from sub-Saharan Africa around 70,000 years ago.

Source: http://www.globalpost.com/dispatch/news/business-tech/science/110415/language-science-linguistics-mother-tongue-english-chinese-mandarin-africa

This gives me LIFE from people who insist all languages (ALL no matter what) derive from latin bases.

Reblogging this for three reasons:

1) It’s awesome and worth knowing

2) It makes sense when you think about, you know, the whole history of human development (from a NOT white supremacist perspective at least)

3) To add that if anyone ever tries to say that all languages are derived from Latin [insert choked sound of disbelief and anger] you can inform their ignorant (probably racist) asses of this: Latin, as far as languages go, is an INFANT. It’s part of a subset of Indo-European languages and MOTHERFUCKER EVEN ENGLISH ISN’T ONE OF ITS DERIVATIVES. (French, Spanish, Italian, Romanian, and Portuguese are, as well as lots of their related languages and dialects, that’s it.) Latin isn’t even remotely old enough to be a mother language. It’s like saying alpacas were the original dinosaurs or some bullshit.

HUH! You dont FUCKING SAY?

WILL YOU LOOK THE FUCK AT THAT! 

Not surprising, but this is cool information!

How the fuck does this surprise people? I thought it was pretty well-established that humans originated from Africa?

FUCK THESE GUYS AND THEIR IMPECCABLE HAIR

  1. Camera: Nikon D3100
  2. Aperture: f/1.8
  3. Exposure: 1/25th
  4. Focal Length: 50mm

Minerva McDoneWithYourShit

(Source: remusjohnslupin)

laughhard:

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orlandobloomers:

me: stop being racist please

family:  listen… liberal hippie trash ….u dont know anything abotu the world….

lukekenny:

The Sims 4 character creator is SMASHING